Week 3 Notes: Thursday March 24th, 2015
Week 3 26th March
Can something drawn from pop culture be ‘real’ art?
Note: both Barbara Kruger and Andy Warhol came via commercial art/design.
Warhol probably the first to use pop culture as a focus for his art.
Revision sheet for Week 2
Art & Text – Amy Selby (text to find)
David Shrigley - The book of Shrigley (NGV) – recent show – Shrigley uses text and image in his work – lots of text and humour. Comments on society in a comic mode.
Appropriates childlike cartoon – (winner of The Tate prize – or shortlisted)
Today – The elements and principles of art
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Elements – line, point, form, tone, texture
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Principles – repetition, hierarchy, scale, balance – the ways the elements are arranged – how the artist has arranged the elements. We use these (like a writer uses words) to arrange into sentences.
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Metaphor – we can’t read a book that is in Chinese – can see it’s a book, Chinese, beautiful calligraphy – maybe we can ‘read/decode’ some of the images included – but we can only speculate a meaning. But, if in English, we know the language and can decode. Thus with art – if we understand the language – e.g. elements and Principles – we have more chance of interpreting the work.
“Art is a visual language” - we need words and definitions of e.g.
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Currently – post-modernism – “Some say we are in post-post modernism” – but only retrospectively do art movements fall into place
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Modernism – more simple – new ground (avant garde) – less complex than post-modernism – reductionist – the artist as visionary with own unique form of expression (reaction to new social sciences, scientific and archaeological discoveries) – leading to the belief that there was a notion that there were new truths to be discovered and uncovered – formal approaches to art – e.g. Rothko (colour), abstract expressionists (fixated on breaking down realism), emphasis on material processes – e.g. Jackson Pollock. E.g. Clement Greenberg – visual art of this time sits above pop culture/pop art.
However, post-modernism – a breaking down of the hierarchy of high c.f. low art. There is no one definitive truth – truth is arguable – there is no one correct truth.
Post-modernism is complex, eclectic – many artists respond to context (e.g. Christo – land art – wrapping up buildings, other site-specific works, using lenses of culture – e.g. feminism, socio-political art, more use of collaboration between artists) – an acceptance of popular culture into high art. A realise that advertising is part of the aesthetic of late modernism. Now – artists who have graffiti in their work – belief that art is no longer the realm of only galleries.
e.g. girl on last night’s news – drawing on Instagram – purely selling through social media. (The Project) Scribble Sensation ($10,000/drawing) – architecture background. Trad techniques – black and white. Photorealistic – still life drawing. To Merinda – this exemplifies PM art.
Aside – about Academic art and the reaction to it –
Also PM – installation work, site-specific, use of non-trad materials.
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e.g. Gajin Fujita – US artist of Japanese heritage.
Check out the artists Merinda has referenced in the Week 2 summary
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The Mundane in Post-modernism - e.g. Tracey Emin’s bed
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The kitsch in PM – e.g. Geoff Koons – Michael Jackson and Bubbles
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Modernism – optimism – progress, faith in the ability to create the new, find answers
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Post-modernism – pessimism, little faith in progress and science, the church, politics, the fate of the world. Is progress really good for us? There is no longer a ‘national identity’ – We would like the handsome princess to take us out of the darkness, but no longer believe that there is a political answer to the world’s problems
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Modernism – surrealism, the mind, sociological concepts, art is categorised – e.g. ‘a painter’ ‘a printmaker’
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Globalisation – hybrid cultures, different understandings, within each subgroup there is a multitude of opinions – there are no stereotypical groups – e.g. The Jews, The Muslim
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Post-modernism Movement away from the genius artist – less need for technique – more about ideas –
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No longer does the artist have one underpinning meaning – today – the artist may have multiple meanings – viewer doesn’t always glean any original intent from an artist – even if there were on?
Modernism – Consciousness independent from the environment
Post-modernism – the body is a representation of the world – e.g. the image of pop musicians (e.g. Madonna) – also how we represent ourselves to the world.
For Gifs – www.erdalinci.tumblr.com
For Geelong After Dark –
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Suggestion that we use an old film from 1929 of Geelong – to promote Geelong as a more artistic place.
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Suggestion that Metropolis is a modernist film – message is that humans are becoming clones, loss of individuality – use of repetition.
Merinda suggests – we use the old footage from films of old Geelong – e.g. The Tale of Sleepy Hollow,
Life in Australia: Geelong 1966 https://www.youtube.com/watch?v=BfFYc4C_JCA
https://www.youtube.com/watch?v=aTZkob0Dmo0
tp://www.geelongadvertiser.com.au/news/geelong/rare-footage-of-1929-geelong-comes-to-light/story-fnjuhovy-1226796756995 1929 footage of Geelong
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Suggestion that students make a gif using ‘old footage’ overlaid with own images.
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Seeing Geelong in a new light – gifs – e.g. past, now, future –
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Next week – spend time putting something together. E.g. make a gif – video loop
Handout from Merinda Kelly - Artists who reference of appropriate imagery from other historical/cultural contexts.